Preservation of traditional art and culture

Oct 13, 2025 by basarigurusu.org 91 views

Musical and Textual Analysis of Perkulcapi in Turi-Turin Nggurisa Babang in the Karo Community

Introduction

The Karo community, a tribe living in the highlands of North Sumatra, Indonesia, has a rich cultural heritage that is reflected in their traditional music and storytelling. One of the most significant aspects of Karo culture is the Turi-Turin Nggurisa, a traditional performance that combines music, dance, and storytelling to convey the values and traditions of the community. This research aims to provide a comprehensive analysis of the musical and textual aspects of Perkulcapi in Turi-Turin Nggurisa Babang, a specific type of Turi-Turin performance that is unique to the Karo community.

Research Methodology

This research uses a descriptive qualitative approach to analyze the musical and textual aspects of Perkulcapi in Turi-Turin Nggurisa Babang. The data was collected through a combination of observation, interviews, and documentation. The author also conducted literature studies by examining books and related documents to support the results obtained in the field. This comprehensive approach ensures that the research provides a deep and nuanced understanding of the cultural significance of Perkulcapi in Turi-Turin Nggurisa Babang.

Theoretical Framework

The analysis of the musical aspects of Perkulcapi in Turi-Turin Nggurisa Babang is based on the theory of music description from Bruno Nettl. This theory emphasizes the importance of considering various aspects of music, including scales, melodies, rhythm, sound color, dynamics, and tempo. However, in this study, the author focuses on a few key components, such as scales, sound colors, and tempo, to provide a more in-depth understanding of the musical aspects of Perkulcapi.

The Structure of Turi-Turin Nggurisa Cabang

Turi-Turin Nggurisa Cabang is a seven-part performance that tells the story of the nggurisa bird (hornbill) and its struggles in life. The seven parts are:

Meet Singenan race (meet and fall in love)
Merry-Riah (rejoicing)
Marriage (marriage)
Erban Asar (Making Nest)
Narphane Ras Medemken (laying eggs and lending)
Children's pegalang (raising children)
Paper (flying leaving the nest)

Musical Analysis

The analysis of the musical aspects of Perkulcapi in Turi-Turin Nggurisa Babang reveals that there are four different scales used in the performance, with the lowest tone in G and the highest tone in GIS. The sound color produced by Kulcapi becomes an important character in turning on the story, adding depth and emotion to the performance.

Textual Analysis

The textual analysis of Perkulcapi in Turi-Turin Nggurisa Babang reveals that the text is written in everyday language without complicated symbols, making it easy to understand for the community who are the subject of the research. This simplicity allows the community to feel a sense of closeness with the story delivered, making the performance more relatable and engaging.

Conclusion

This research provides a comprehensive analysis of the musical and textual aspects of Perkulcapi in Turi-Turin Nggurisa Babang. Through this analysis, we gain a deeper understanding of the cultural significance of Perkulcapi in the Karo community and the importance of preserving and promoting traditional art and culture in Indonesia. This research is expected to be a reference for other researchers in exploring more deeply about art and culture in Indonesia, especially those related to the Karo community.

Recommendations

Based on the findings of this research, the following recommendations are made:

Preservation of traditional art and culture: Efforts should be made to preserve and promote traditional art and culture in Indonesia, including the Karo community.
Further research: Further research should be conducted to explore more deeply about the cultural significance of Perkulcapi in the Karo community and its relevance to the broader context of Indonesian culture.
Community engagement: Community engagement and participation should be encouraged to ensure that the research is relevant and meaningful to the community.

Limitations

This research has several limitations, including:

Limited scope: The research focuses on a specific type of Turi-Turin performance, Perkulcapi in Turi-Turin Nggurisa Babang, and may not be representative of the broader context of Karo culture.
Limited data: The data collected for this research is limited to a specific time period and may not be representative of the entire Karo community.
Cultural context: The research is conducted within a specific cultural context, and the findings may not be generalizable to other cultural contexts.

Future Research Directions

Future research directions include:

Comparative analysis: A comparative analysis of Perkulcapi in Turi-Turin Nggurisa Babang with other types of Turi-Turin performances to identify similarities and differences.
Cultural context: An examination of the cultural context of Perkulcapi in Turi-Turin Nggurisa Babang and its relevance to the broader context of Indonesian culture.
Community engagement: An exploration of the role of community engagement and participation in the preservation and promotion of traditional art and culture in Indonesia.
Q&A: Musical and Textual Analysis of Perkulcapi in Turi-Turin Nggurisa Babang in the Karo Community

Q: What is Perkulcapi in Turi-Turin Nggurisa Babang?

A: Perkulcapi in Turi-Turin Nggurisa Babang is a traditional performance of the Karo community in North Sumatra, Indonesia. It is a seven-part performance that tells the story of the nggurisa bird (hornbill) and its struggles in life.

Q: What is the significance of Perkulcapi in Turi-Turin Nggurisa Babang?

A: Perkulcapi in Turi-Turin Nggurisa Babang is significant because it reflects the cultural values and traditions of the Karo community. It is a way for the community to express themselves and share their stories with others.

Q: What is the musical analysis of Perkulcapi in Turi-Turin Nggurisa Babang?

A: The musical analysis of Perkulcapi in Turi-Turin Nggurisa Babang reveals that there are four different scales used in the performance, with the lowest tone in G and the highest tone in GIS. The sound color produced by Kulcapi becomes an important character in turning on the story, adding depth and emotion to the performance.

Q: What is the textual analysis of Perkulcapi in Turi-Turin Nggurisa Babang?

A: The textual analysis of Perkulcapi in Turi-Turin Nggurisa Babang reveals that the text is written in everyday language without complicated symbols, making it easy to understand for the community who are the subject of the research. This simplicity allows the community to feel a sense of closeness with the story delivered, making the performance more relatable and engaging.

Q: What are the limitations of this research?

A: This research has several limitations, including:

Limited scope: The research focuses on a specific type of Turi-Turin performance, Perkulcapi in Turi-Turin Nggurisa Babang, and may not be representative of the broader context of Karo culture.
Limited data: The data collected for this research is limited to a specific time period and may not be representative of the entire Karo community.
Cultural context: The research is conducted within a specific cultural context, and the findings may not be generalizable to other cultural contexts.

Q: What are the recommendations for future research?

A: Based on the findings of this research, the following recommendations are made:

Preservation of traditional art and culture: Efforts should be made to preserve and promote traditional art and culture in Indonesia, including the Karo community.
Further research: Further research should be conducted to explore more deeply about the cultural significance of Perkulcapi in the Karo community and its relevance to the broader context of Indonesian culture.
Community engagement: Community engagement and participation should be encouraged to ensure that the research is relevant and meaningful to the community.

Q: What are the implications of this research for the Karo community?

A: The implications of this research for the Karo community are significant. It highlights the importance of preserving and promoting traditional art and culture, and the need for community engagement and participation in the research process. It also provides a deeper understanding of the cultural significance of Perkulcapi in the Karo community and its relevance to the broader context of Indonesian culture.

Q: What are the implications of this research for Indonesian culture?

A: The implications of this research for Indonesian culture are significant. It highlights the importance of preserving and promoting traditional art and culture, and the need for community engagement and participation in the research process. It also provides a deeper understanding of the cultural significance of Perkulcapi in the Karo community and its relevance to the broader context of Indonesian culture.

Q: What are the future directions for this research?

A: Future research directions include:

Comparative analysis: A comparative analysis of Perkulcapi in Turi-Turin Nggurisa Babang with other types of Turi-Turin performances to identify similarities and differences.
Cultural context: An examination of the cultural context of Perkulcapi in Turi-Turin Nggurisa Babang and its relevance to the broader context of Indonesian culture.
Community engagement: An exploration of the role of community engagement and participation in the preservation and promotion of traditional art and culture in Indonesia.